Following rain showers last week we enjoyed a breathtakingly beautiful Saturday yesterday -- fresh, green, warm and sunny. I have the song "Lovely Day" (Bill Withers) running through my head! Here is the golf and country club where I met friends for lunch yesterday.
Sunday, October 2, 2011
Yesterday I attended a district Daughters of the American Revolution program in Cupertino. Prospective member and new friend Charlene rode up with me and we had a great time, chatting and laughing all the way there and back, but the highlight of our day was the terrific program. Feather Tippetts (yes, that's her name!) historical costume designer, demonstrated how women back in Revolutionary War times dressed, from the inside out. She makes sure that all of her clothing is historically accurate. To read more about her work check out this article in the Mercury News. Here is a little snippet that describes her work:
With a French Milliner as her maternal grandmother it’s hardly surprising that costume design and creation are a passion for Feather. The owner and principal designer of Grand Gestures Historical Costume, she creates garments as historically accurate as possible. Her clients include Impersonators, Re-enactors, and Interpretive Speakers at Historical Sites. Frequently called upon as a speaker and consultant on historical clothing for museums, educational institutions, and private clubs, she also leads workshops on design and construction for students focusing on historical costume.
Beginning with a linen shift, stays filled with reeds are laced on, These stays provide good posture and make it impossible to slouch. They are different than corsets, which did not come along until later in history.
Lucy Locket lost her pocket, Kitty Fisher found it,
Not a penny was there in it, only ribbon round it.
Back to basic shift and stays, to begin dressing for a ball. The first step is to tie on panniers -- these consisted of hoop pockets, created with reeds bent by steam. All women could sew. Some women made their own clothes and some had maids that did the sewing.
Next a petticoat was placed over the panniers. The idea was that the more cloth you could use and display in your gown, the wealthier your husband was, hence the additional width provided by the panniers.
Next a stomacher was selected. The stomacher was pinned over the chest and upper tummy area. They didn't use safety pins back then, they used straight pins which were quite pricey.